Wednesday, October 21, 2009

Creatures of Curiosity - Statement



Unicorn horns, mermaid skeletons, stuffed and preserved animals and plants, insects in amber, lenses, and obscure scientific instruments - these were just some of the contents of what were called Cabinets of Curiosity. First assembled in 16th century Europe, these "rooms of wonder" became the earliest museums, where diverse collections of oddities from around the world could be seen in one place. Sumptuous accumulations of unknown and unfamiliar objects were assembled in beautifully constructed cabinets, contained in entire rooms displaying artifacts from floor to ceiling.


I think of my constructed creations as present day artifacts that might have been collected and assembled in a Cabinet of Curiosity. Where they came from and what meanings they hold are still unknown. Indicators and clues as to their origins can be found on each creature - but often the markings, materials and methods of construction can be confusing, asking more questions than giving answers. Studied closely, each creature seems to have similar construction patterns, tattoos and indications of tribal identification.


A rabbit poised to spring, wired together with an assortment of old sticks, rags, rusted metal and found objects, is then mounted on a weathered wooden armature. Another almost mythological beast - part rubber robed rhinoceros and part metal cloaked ant eater - is captured mid-stride, his worn underside streaming a strange accumulation of hanging objects. During his journeys this creature has attracted the various talismans to his belly like metal to magnets. Creatures of my imagination...peering felines, quizzical canines, pondering armadillos, miniature running antelope, crawling lizards and crooked wooden birds, beckon you to follow them into the shadows of my own realm of the curiously outlandish and bizarre.

Tuesday, October 20, 2009

Endangered Species



Indri (pangolin)
wood/metal/cloth/foam/found objects
14" x 16" x 6"

I've seen pictures of the pangolin in books for years. They are curious creatures, a fish-like animal. They are large and act a little like tree sloths. With all their scales I was attracted to them once I started working with old bike tires.

They are found in parts of Africa and Asia and recently have become endangered. They are hunted both for their meat and their scales, which are thought to have medicinal properties.

Tuesday, October 13, 2009

Desert Dwellers



Thryonomydae

wood/cloth/metal/foam/found objects
21" x 20" x 9"

This creature, based on a horned lizard, is assembled from both black and white bicycle tires, along with a variety of nails, screws and rusted bolts. Around his neck hangs an old paint brush and underneath his body other objects dangle down. The pedestal is constructed from cabinet handles, a wheel, and found hardware.

Saturday, October 10, 2009

Creatures of Curiosity


Gymnura
wood/wire/cloth/foam/found objects
18" x 12" x 6 1/2"

Another creature to be a part of the group installed during SOFA in Chicago in November. This porcupine-like critter's spikes were made from wire that is used to make fences in New Mexico. There are dozens of them sticking out of her body. It was a study in patience to install each one, row after row.

My friend Michelle gave me the base, which originally was used to hold tools for a fire. She works at Habitat for Humanity and is becoming one of my best sources for odds and ends.

Wednesday, October 7, 2009

Sagita & Savii


Sagita & Savii
wood/cloth/metal/foam/found objects
23" x 20" x 26"

This pair of foxes is part of the work going to Chicago for my installation called Creatures of Curiosity. I think of this series as artifacts and objects that have been assembled together in one place.

These pieces have been built using an assortment of branches, screws and odds/ends. In person the work has the feeling of contained energy.

The base is crafted from mountain bike tires and metal. I call this style of furniture NUVO Mennonite.

Tuesday, September 15, 2009



Colocolo & Caracal
Wood/foam/metal/cloth/found objects
20" x 16" x 21"


When I first started making objects, just about five years ago, I would create detailed sketches and drawings of each piece-then I would follow them closely until completion of the piece. That went on for a while.

However, over the last couple of years, I’ve gotten away from making preliminary sketches. I have come to really enjoy the unintentional and unlikely results that I end up with from creating creatures without a specific outcome in mind. I have an idea to start with, but it is broad, like wanting to capture the pose of a running antelope-but that’s it. No thought of how things will be constructed or what materials will be used.

Hoping to keep the work fresh, I make it up as I go along in the construction process. (It also depends on what recent finds I have located.) This most recent piece, called Colocolo and Caracol, started off as a vague idea- two cats hanging out. One would be larger than the other. I wanted them to have their own area to live in so I made the rusted metal pedestal. (This piece is part of the installation, Creatures of Curiosity, which I will be assembling at SOFA in Chicago in November with Jane Sauer, my Santa Fe gallery dealer. She has given me about a 10 foot long wall to create what ever I want for this show. What an amazing dealer!)

Once I build the two creatures, I had this idea that they would be facing each other, kind of like and Egyptian frieze, a more formal pose. When I tried them this way, they looked disjointed and like they were living in different worlds. Luckily when I asked my friend Audrey(who also happens to be my wife) what she thought, she changed them immediately. They suddenly became connected, almost like parent and child. Then my friend Bob saw the piece and changed their position on the pedestal a little more, and like magic in front of my eyes, they suddenly came alive. Their relationship is intimate, secure…even protective. But each of them has that inner strength that cats can often project.

I’m amazingly lucky to have friends that put up with my ‘artist’ personality and especially that they are such good critiques and have an ‘eye’ for looking at my work. You can tell that I’m a strong believer in getting helpful feedback.